After just one day’s rehearsal we set off on Sunday for the first day’s recording session with Tswarelo of 10th District Music at Ingwe Studios in Hillside, one of the leafier suburbs of Bulawayo. The early start is due to Tswarelo having to be away for much of the next two weeks.
Getting everyone there on time – and Tswarelo is meticulous about timing, belying his country’s stereotype – is no mean feat. Charlie, Tonny and I use the car that Simon and I bought in Swaziland when he worked there for a while, but there are another eight Sunduza members to pick up from various meeting points in the townships. We have to stop in the city centre to buy gas for a stove, as we need to feed everyone at lunchtime and have brought stew cooked at home the previous evening. Add the state of the Zimbabwean road network and the prevalence of road blocks into the mix, and I at least arrive feeling more than a little on edge.
We soon settle into the pleasant surroundings at Ingwe, however. After a warm-up we rehearse our first song. Tswarelo’s procedure is to record what he calls a pilot, which will serve as a guide track, in the main part of the studio, and then to record each individual voice or instrument in the sound booth. This ensures the best possible results as each voice can be perfectly balanced in the final mix, which will be done back in the UK with Keith Angel at Wavelength Studios in Doncaster.
After a trip to the local supermarket for some sadza, or, more accurately, isitshwala as we are in Matabeleland, to accompany our stew, we have a relaxing lunch outside before a few more hours’ recording, establishing what is to become a normal pattern of laying down an average of two tracks per day. Things are shaping up.